“Sam Brookes excels at propulsive, narratively rich folk, delivered in a soaring, clear-as-a-bell singing voice” – The Sunday Times / “…there are vast emotional reserves at work” – The Independent
Servant Jazz Quarters,
10A Bradbury Street Dawson N16 8JN
Ph: 020 7684 8411
10.00 adv BUY NOW / 12.00 door
Nearest train station Dalston Kingsland or Dalson Junction, both 2 minutes walk.
Doors open 7.30 pm. Music from 8.15 pm sharp.
Sam Brookes is reminiscent of Tim Buckley as he glides between the lower and upper registers of his four-octave range. His pure voice, evocative lyrics and soaring melodies have made him a rising figure in the alt-folk scene.
Inspired by the British and American folk revivalists of the 60’s, a sixteen-year-old Brookes began to write and perform while training as a gilder in his late father’s workshop. By his mid-twenties, Brookes had begun to receive serious critical recognition, his self-released album, Kairos, being acclaimed by The Independent as one of the stand-out records of 2014. Now in demand as a vocalist and collaborator, the long list of artists Brookes has worked with includes Scott Matthews, Lucy Rose, Newton Faulkner and Basement Jaxx.
Tempus, released 3rd May, sees Sam rework Kairos’s most arresting, intimate songs into richly layered acoustic versions with the help of producer Laurence Love Greed and some of the UK’s finest session players. This Tempus tour will see Sam performing a very special set of intimate duo shows with voice, guitar and piano.
“he excels at propulsive, narratively rich folk, delivered in a soaring, clear-as-a-bell singing voice” – The Sunday Times
“there are vast emotional reserves at work” – The Independent
“a stunning work on so many levels” – Folk Radio
Genevieve Dawson is a singer-songwriter originally from Edinburgh, now based in South-East London. Bringing together a frank lyrical style with a wonderfully rich and soulful tone, her sophisticated sound, supported by a superbly accomplished five piece band of keys, horns, bass and drums, pulls influence from jazz and folk in equal measure. She has recently completed studies in composition at Goldsmiths University of London, following in the footsteps of James Blake and Rosie Lowe, amongst many other esteemed alumni.
‘ [She] blends folk-roots with spicy infusions of off-kilter improvisation and ambitiously ambiguous harmony. Genevieve’s take is not unlike that of Hejira-era Joni Mitchell- her songwriting knows no upper bounds…see her and her band at any opportunity you get’ Bittersweet Symphonies.
New Roots is committed to promoting events that shine a light on up and coming talent in the UK alt-folk scene. It’s committed to providing artists with an environment that is sympathetic to what they do, giving musicians the respect they and their music deserves – for this reason we ask for no talking and no use of mobile phones while artists are performing. Our music policy comes from the kitchen table, the roots of public performance- intimate, acoustic based, high quality musicianship with as little interference between performer and listener as possible.
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