Thurs 18 July: THE NEW ROOTS SESSIONS Jack Harris / Martha Paton / Louis Brennan

THE NEW ROOTS SESSIONS, a series of intimate, stripped back concerts featuring three superb headline solo artists on a triple-bill. 

The Green Note
106 Parkway, Camden Town, NW1 7AN
Ph 020 7485 9899
10.00 adv BUY NOW  / 12.00 Door
Nearest tube Camden, 2 mins walk DIRECTIONS
Doors open 7.30 pm, music form 8.00 pm sharp. 



JACK HARRIS‘s songs take a compassionate look at things both common and uncommon, and see them differently. They are literate, curious, often in character, and always intriguing. His most recent album, ‘The Wide Afternoon’, produced by UK folk giant Gerry Diver (Sam Lee, Lisa Knapp, Tom Robinson), was released in November 2016 to universal press acclaim. Jack was a SXSW showcasing artist at 17, and the youngest ever winner of the Kerrville Folk Festival’s New Folk Award in 2005 (previous winners include Gillian Welch, Devon Sproule and Anais Mitchell). He has been the recipient of the PRS ATOM award for new music creation, as well as an EFDSS creative bursary for songwriting.

‘Jack Harris is a priest of song who holds himself to a rigorous, ancient code of beauty most of us have forgotten exists.’ Anais Mitchell



MARTHA PATON‘s razor-sharp observations on modern life and how to survive it combine with a super-tight focus on what makes a great pop song to mark her out as one to watch. Armed with a set of all-killer-no-filler, superbly honed, fiercely intelligent songs that take their cues from Laura Marling, Regina Spektor, Margo Price and First Aid Kit, she comfortably goes beyond her influences to create something distinctly and defiantly her own.

“We were hooked on this from first listen…a beautiful slice of country and folk-infused pop” – Folk Radio UK




LOUIS BRENNAN is a singer-songwriter in the folk tradition. His folk however arent the field hands and travelling minstrels of yore but the repressed middle managers and ennui-ridden urbanites of late stage capitalism. They populate tales of bad sex, half-drunk commutes and interpersonal claustrophobia delivered in Brennans cracked baritone, at times intensely intimate, at times broad, peppered with pitch-black humour

‘.A master storyteller with a voice like rolling thunder’ GQ Magazine



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